August 18, 2014


Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can’t go through an obstacle, go around it. Water does.

Margaret Atwood (via emotional-algebra)

(via ispeakfluentloveliness)

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repeat from emotional algebra

Abandoned Victorian Style Greenhouse, Villa Maria, in northern Italy near Lake Como. Photo taken in 1985 by Friedhelm Thomas

Abandoned Victorian Style Greenhouse, Villa Maria, in northern Italy near Lake Como. Photo taken in 1985 by Friedhelm Thomas

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repeat from The Fabulous Weird Trotters

adoraits:

vintage

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repeat from toxines

(Source: beauty-and-happy, via ispeakfluentloveliness)

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repeat from Boom ▲

beben-eleben:

Alex McLean, a licensed pilot and photographer, took these gorgeous photos “just by sticking his camera out the window”.

In love!

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repeat from 24/7 Bebenta Sa'yo

(Source: musicgivesasoultotheuniverse, via ispeakfluentloveliness)

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repeat from I can't escape this place, it's in my mind

lovesolitudes:

i actually feed on intelligence

i love it when people know a lot about a lot of things

about music, films, religion, beliefs, history

i love listening to peoples opinions 

i love big words

i want to suck in all these smart things like a sponge

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repeat from Čekam Smrt
tape-deck:

Angus & Julia Stone - Big Jet Plane



Still can’t get enough of this song.

tape-deck:

Angus & Julia Stone - Big Jet Plane

Still can’t get enough of this song.

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repeat from Cassette

(Source: rubyandmoon, via margaretrose-)

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repeat from
eugenialoli:

“Butterflies" by Eugenia Loli.

Gallery  | Shop | Tumblr | Flickr | Facebook

eugenialoli:

Butterflies" by Eugenia Loli.

Gallery | Shop | Tumblr | Flickr | Facebook

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repeat from Eugenia's Collages

How wonderful; this world with you in it.

T.B. LaBerge // Unwritten Letters to You (via breanna-lynn)

(Source: tblaberge, via baptize-mymind)

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repeat from T.B. LaBerge

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repeat from Nature is home,

Fangirl challenge → [3/7] sceneries: Atonement
This movie. :(

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repeat from always;
nycartscene:

Fall 2014 Editor’s PickOpens Tues, Sept 9, 6-8p:“RITE OF PASSAGE: The Early Years of Vienna Actionism, 1960 – 1966” Günter Brus, Otto Muehl, Hermann Nitsch, Rudolf SchwarzkoglerHauser & Wirth, 32 East 69th St., NYCthe first major New York City exhibition to explore, through rare paintings, collages, and photographs, the emergence of a critical 20th-century avant-garde movement. Various artistic developments in the second half of the 20th century have been influenced by a performative paradigm that emphasizes a move away from formal, static objects and toward more directly experiential, event-like, and sensorial gestures. In the early 1960s, the Vienna Actionists defined their radical style through a critique of painting, specifically that of European Art Informel and the Abstract Expressionism of the New York School. Under Austria’s Second Republic, Brus, Muehl, Nitsch, and Schwarzkogler sought out new possibilities for expression that could transcend the shadow of World War II. Motivated by material experimentation, they developed their art around radical body-centric performances through which authentic experiences of reality and incisive political statements could be directly and intensely perceived.

nycartscene:

Fall 2014 Editor’s Pick
Opens Tues, Sept 9, 6-8p:

RITE OF PASSAGE: The Early Years of Vienna Actionism, 1960 – 1966”
 Günter Brus, Otto Muehl, Hermann Nitsch, Rudolf Schwarzkogler

Hauser & Wirth, 32 East 69th St., NYC

the first major New York City exhibition to explore, through rare paintings, collages, and photographs, the emergence of a critical 20th-century avant-garde movement. Various artistic developments in the second half of the 20th century have been influenced by a performative paradigm that emphasizes a move away from formal, static objects and toward more directly experiential, event-like, and sensorial gestures. In the early 1960s, the Vienna Actionists defined their radical style through a critique of painting, specifically that of European Art Informel and the Abstract Expressionism of the New York School. Under Austria’s Second Republic, Brus, Muehl, Nitsch, and Schwarzkogler sought out new possibilities for expression that could transcend the shadow of World War II. Motivated by material experimentation, they developed their art around radical body-centric performances through which authentic experiences of reality and incisive political statements could be directly and intensely perceived.

(via itstimetogetuptheyallsay)

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repeat from nyc art scene
luciacl:

Florence, Italy | Jacqueline Viscardi

luciacl:

Florence, Italy | Jacqueline Viscardi

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repeat from ωanderlust